Irish Indie Game Development Update
I want to give you guys a quick run down with what's been happening in the Irish Game Development scene within the last while.
Review: The Swindle
In The Swindle, thieves make Victorian London their playground, hacking steam-powered computers and avoiding robotic guards.
Typoman: Revised review
Typoman doesn't hesitate to excite. It is filled with great puzzles and challenges and the overall design is quite interesting. If you're looking for something different from your standard platforms or puzzlers I recommend that you try it out...
One Eyed Kutkh review – An Outer Space Odyssey
It beggars belief that, with such a solid foundation in terms of imaginative design, it falls short on offering what could have been a well-executed rival to its comparisons.
Indie Multiplayer Shooter Velvet Guard launches Kickstarter Campaign
An 18-year-old Swedish Student has launched a Kickstarter Campaign for his multiplayer game, Velvet Guard, where one shot kills so you know the frustration will be real.
Spiral Splatter review – “Splat Splat Splat”
For €4.99 there's very little to complain about. However, if you hate 'buzz wire' games you need to put this title in the sea.
Budget Halloween Horror: Narcosis Review
Narcosis elevates itself above other walking simulators with its taut atmosphere being wonderfully sustained by its interesting mix of game-play, story and atmosphere
Tartarus review: Highs Gradually Turn to Lows
Tartarus is a game with many elements that gradually decrease in quality as the game progresses. All of these elements however, are just window-dressing for the meat of the game which is the puzzles.
Danger Mouse: The Danger Games – Elite Gamer ‘Most Innovative Game...
Application of strategy and RPG elements to a networked runner make Danger Mouse: The Danger Games a surprisingly deep pick up and play experience
With...
The Longest 5 Minutes review: A JRPG Distilled from Better JRPGs
Despite a good start and its many sterling qualities, TL5M is shackled by its temporal premise.




















